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Guyton Ash

Artis Construction, Charleston, South Carolina
Timber Framer
A young man leans over a table topped with architectural drawings and old pieces of ornamental plaster; church windows and stone arches are behind him.
Preservation specialist Guyton Ash works on the restoration of the New Tabernacle Fourth Baptist Church in Charleston, South Carolina. Photo by Leslie Ryann McKellar
My favorite type of work is repairing old timber frames.

In the historic city of Charleston, South Carolina, timber framer and preservation specialist Guyton Ash skillfully restores old structures and creates beautifully crafted new legacy-style homes through Artis Construction, the award-winning company he co-founded in 2016. As a member of the third graduating class of the American College of the Building Arts (ACBA), he brings his expert training in centuries-old French timber-framing techniques and modern technology to solve complex restorations and repairs, craft custom millwork and cabinetry, and undertake intricate remodeling projects, all with the highest regard for excellent craftsmanship. “It’s really about satisfaction, longevity, and aesthetics,” he says of his work. 

A man on a ladder reaches over to inspect the plaster moldings of an arch in the interior of a church.
Guyton Ash examines old plaster in the New Tabernacle Fourth Baptist Church in Charleston, South Carolina. Photo by Leslie Ryann McKellar 

Born in Litchfield, Connecticut, Ash was drawn to working with his hands at an early age. He grew up in an atmosphere where crafts and tradespeople were appreciated and old timber-frame barns dotted the landscape. “Where I am from, trades do not have the same stigma that they do in other parts of the country,” he says. “Everyone needed everyone else to be able to make it all work. There was respect across the board.”  

Ash began his career in the building arts as a stone mason crafting fieldstone walls and courtyards in New England. After moving to Charleston, he discovered the American College of the Building Arts and delved into his longtime interest in woodworking, majoring in timber framing and studying with French timber framer Bruno Sutter, a true master of his trade. During ACBA’s intensive four-year program, he not only learned traditional joinery and other woodworking techniques but how to think in three dimensions and solve complex geometric problems. “What you learn in the timber-framing program makes everything else easier to understand,” he says.  

This image shows a close-up of several large crisscrossing rectangular wooden beams that form the roof of a timber-frame building.
Details of a timber-frame structure that Guyton Ash worked on during a summer internship. Photo courtesy of Guyton Ash 

While a student, he completed three summer externship experiences that further expanded his knowledge of different aspects of the trade. The first was at Bensonwood with Tedd Benson, who introduced Ash to the innovative timber-framing methods he had developed. He then worked with Holder Brothers Timber Frames LLC in Monroe, Georgia, where he had the opportunity to collaborate on a project for a blacksmith annex shop with seventy-five other craftspeople. His final internship involved apprenticing with ACBA chair of timber framing Bruno Sutter in Costa Rica. “We collaborated with locals to cut and hand-raise a timber frame on the side of the Pacific Rim in the jungle. It was an amazing experience and a really elaborate structure.” 

Upon graduation in 2011, Ash founded Ash Woodworking and began producing custom interior trim, timber frames, cabinetry, custom doors, and furniture. His affinity for old-growth wood led him to select beautiful local cypress for projects, such as a commissioned dining table that incorporated an old tree stump recovered from a nearby river. “I like to let the wood do the talking,” he says. In 2016, Ash co-founded Artis Construction with Tim Sites and began working on timber-frame restorations and larger-scale projects in Charleston. “Our niche is preservation,” he notes. “My education gives me a unique perspective on how to fix these buildings.” 

A big house with a large two-story porch running the length of the house stands in a lush green garden.
Guyton Ash and members of the Artis Construction team raised and restored this historic 1880s house on Franklin Street in Charleston, South Carolina. Photo courtesy of Artis Construction 

Completing the restoration of historic sites such as the 1832 Faber House and the 200-year-old Gadsden House is no simple feat. The process entails a complete analysis, identification, isolation, and replacement or repair of the timber-frame elements, most of which are hidden. “The first thing is to identify where the problem is. Everything is usually covered by masonry, or there is siding on it. You have to look at the exterior envelope of the building to see where the problems exist. You can look at the roof line, eve line, the bottom plate line, and sometimes the siding will show you some things.”

An old, damaged wooden house is covered in scaffolding and sturdy stabilization beams.
Crew members from Artis Construction work to restore the historic Hutchinson House on Edisto Island, South Carolina. Photo by Leslie Ryann McKellar 

Ash has a passion for preservation, for saving the history and stories embodied in beautiful old buildings. One of his award-winning projects included stabilizing and meticulously restoring the 1885 Hutchinson House on Edisto Island, a rare, intact example of Reconstruction-era African American domestic architecture. “We basically dissembled the facades piece by piece, cataloging and evaluating each pine board to see what could be salvaged and what needed replacement,” he says.   

A white house with a bright red roof stands in a green field with trees behind it.
The restored Hutchinson House on Edisto Island, South Carolina. Photo by Leslie Ryann McKellar

Respected as a carpenter’s carpenter, Ash combines pride in craftsmanship with a deep reverence for the past. He is dedicated to continuing the important legacy of traditional trades training by teaching courses in timber framing and advanced roofing systems at ACBA and helping students gain invaluable experience through summer internships and full-time positions at Artis Construction.  

In Ash’s view, the biggest challenge to the building crafts is the “hurry up and get it done” attitude that dominates the construction industry. Through the fine work of Artis Construction, he and his team are charting a path forward to long-lasting and beautiful workmanship. 

A man stands inside a church in front of a stained-glass window looking at a piece of damaged plaster molding.
Guyton Ash works on the restoration of the New Tabernacle Fourth Baptist Church in Charleston, South Carolina. Photo by Leslie Ryann McKellar

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Credits

Sponsors

Smithsonian Women‘s Committee

This project has been made possible by the generous support of the Smithsonian Women’s Committee.

Additional support was provided by the University of Notre Dame School of Architecture.

Built by Hand: Skilled Artisans in the Traditional Trades was produced by the Smithsonian Center for Folklife and Cultural Heritage in collaboration with the University of Notre Dame School of Architecture. 


Smithsonian Women‘s Committee

This project received funding from the Smithsonian’s Our Shared Future: 250, a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.

Exhibition

Curator

Marjorie Hunt

Editor

Elisa Hough

Interns

Ben Cook, Lydia Desormeaux, Claire Egelhoff, Lucy Florenzo, Peyton Hoffman, Mary Bridget Jones, Maria Maxwell, Connor Roop

Project Support

Sloane Keller

Advisors

Christina Butler, American College of the Building Arts; Christine Franck, INTBAU USA; Jonn Hankins, New Orleans Master Crafts Guild; Stephen Hartley, University of Notre Dame School of Architecture; Alejandro Garcia Hermida, Traditional Building Cultures Foundation; Michael Lykoudis, University of Notre Dame School of Architecture; Stefanos Polyzoides, University of Notre Dame School of Architecture; Nicholas Redding, The Campaign for Historic Trades; Moss Rudley, National Park Service Historic Preservation Training Center; Steven Semes, University of Notre Dame School of Architecture; Simeon Warren, National Park Service National Center for Preservation Technology and Training; Harriet Wennberg, International Network for Traditional Building, Architecture & Urbanism (INTBAU)

Special Thanks

Betty Belanus, Marquinta Bell, Halle Butvin, Allen Carroll, Paloma Catalan, Kevin Eckstrom, Mimi McNamara, Arlene Reiniger, Colin Winterbottom, Erin Younger

Web Development

Design & Programming

Visual Dialogue

Content Migration

Ben Hatfield

Web Support

Elisa Hough

Archives Support

Cecilia Peterson
David Walker


Resources