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Jeffrey M. Poree, Sr.

Jeff Poree Plastering, New Orleans, Louisiana
Plasterer
An older man with white hair and a white shirt stands under an arched ceiling made of smooth white plaster.
Plasterer Jeffrey Poree. Photo courtesy of New Orleans Master Crafts Guild
“All of the craftsmen, we’re the maintenance men of history. We’re keeping history alive. Hopefully we’ve got some things that will live on forever.”

A fifth-generation master plasterer from New Orleans, Jeffrey Poree proudly carries forward his family’s legacy of fine craftsmanship through his company Jeff Poree Plastering, which specializes in historic restoration and high-end ornamental plasterwork. Poree and his family are legendary in New Orleans for their exceptional skills in exterior and interior plaster, ornamental molds, and old-world specialty finishes—work that has characterized the city’s distinctive architectural heritage for centuries. “It feels good to drive down the street and see the buildings my father did, that I did. It makes me feel proud,” he says. 

When Poree was “coming up in the trade,” plastering was going strong in New Orleans. Most of the craftsmen came from “plastering families” in the Seventh Ward, a neighborhood that has long been home to Creole artisans in the traditional building trades: blacksmiths, plasterers, carpenters, stone and brick masons. Poree’s father was considered one of the best plasterers in the city and was a member of the local plasterers’ union board.  

A young man kneeling on a scaffold and an older man standing on the floor use small metal tools to put the finishing touches on a white plaster ornamental corbel of a lion located near the top of an interior plaster wall.
Jeff Poree and journeyman plasterer Wilfred Holmes put the finishing touches on a decorative plaster corbel. Photo by Jonn Hankins, courtesy of New Orleans Master Crafts Guild 

Poree followed in his father’s footsteps, serving a rigorous union apprenticeship, learning every aspect of the trade from expert craftsmen who set high standards and demanded excellence. On the weekends, he worked alongside his father on premier jobs throughout the city, gaining experience crafting intricate ornamental work. The men he worked with “put their heart into everything they touched,” he says. Poree recalls that, as a child, he used to be puzzled by his father’s insistence on lingering in the shop in the evenings, surveying his day’s work rather than heading home right away. He came to understand the pleasure and satisfaction that comes with acknowledging a job well done.

“It’s not easy, but it’s very fulfilling. I can’t wait to get up in the morning and go into work.”

On any given day, Poree and his crew of skilled artisans can be found restoring elaborate ceiling medallions and crown moldings for historic buildings or working with architects to create old-style decorative plaster elements for new homes. His shop maintains a full-time art department and prides itself on the ability to restore almost any mold, whether working from old fragments, photographs, or drawings. “We like a challenge. At least I do,” Poree says of the artistry and care required to create intricate architectural embellishments. He has a close relationship with builders, architects, and designers, proudly working to “become the architects’ hands” and bring their vision to life.

Numerous intricate white plaster ornamental pieces hang on the wall of a plastering shop; a wooden shelf lined with various plaster heads and busts runs along the bottom third of the wall.
Decorative plaster pieces adorn the walls of Jeff Poree’s shop in New Orleans. Photo by Ben Seward, courtesy of New Orleans Master Crafts Guild 

He speaks eloquently about his strong connection to the tools of his trade. “My trowel in my hand becomes part of my body,” he says. “When you make your living with your hands, certain tools you use, you just have that close relationship.” Poree cherishes the old trowels that he has taken years to break in, not only for their practical value but for the memories and meaning they hold of people and places.

Elaborate white plaster ceiling medallions mounted on square wooden boards hang on the wall of a plastering shop.
Ornamental ceiling medallions in Jeff Poree’s plastering shop in New Orleans. Photo by Ben Seward, courtesy of New Orleans Master Crafts Guild

As one of the city’s leading master craftsmen, Poree is dedicated to passing on his knowledge, skills, and traditions to the next generation of artisans in the Seventh Ward—“the kids in our community”—through the New Orleans Master Crafts Guild. He is passionate about training and mentoring young apprentices so that the art of plastering can continue. “I love to see these young people get on in the craft,” he says. “We want to keep the tradition alive.”

An older man with white hair watches a younger man work with his hands in wet white plaster as he tries to make a round plaster molding.
Jeff Poree mentors apprentice Jermaine Hingle. Photo by Jonn Hankins, courtesy of New Orleans Master Crafts Guild

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Credits

Sponsors

Smithsonian Women‘s Committee

This project has been made possible by the generous support of the Smithsonian Women’s Committee.

Additional support was provided by the University of Notre Dame School of Architecture.

Built by Hand: Skilled Artisans in the Traditional Trades was produced by the Smithsonian Center for Folklife and Cultural Heritage in collaboration with the University of Notre Dame School of Architecture. 


Smithsonian Women‘s Committee

This project received funding from the Smithsonian’s Our Shared Future: 250, a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.

Exhibition

Curator

Marjorie Hunt

Editor

Elisa Hough

Interns

Ben Cook, Lydia Desormeaux, Claire Egelhoff, Lucy Florenzo, Peyton Hoffman, Mary Bridget Jones, Maria Maxwell, Connor Roop

Project Support

Sloane Keller

Advisors

Christina Butler, American College of the Building Arts; Christine Franck, INTBAU USA; Jonn Hankins, New Orleans Master Crafts Guild; Stephen Hartley, University of Notre Dame School of Architecture; Alejandro Garcia Hermida, Traditional Building Cultures Foundation; Michael Lykoudis, University of Notre Dame School of Architecture; Stefanos Polyzoides, University of Notre Dame School of Architecture; Nicholas Redding, The Campaign for Historic Trades; Moss Rudley, National Park Service Historic Preservation Training Center; Steven Semes, University of Notre Dame School of Architecture; Simeon Warren, National Park Service National Center for Preservation Technology and Training; Harriet Wennberg, International Network for Traditional Building, Architecture & Urbanism (INTBAU)

Special Thanks

Betty Belanus, Marquinta Bell, Halle Butvin, Allen Carroll, Paloma Catalan, Kevin Eckstrom, Mimi McNamara, Arlene Reiniger, Colin Winterbottom, Erin Younger

Web Development

Design & Programming

Visual Dialogue

Content Migration

Ben Hatfield

Web Support

Elisa Hough

Archives Support

Cecilia Peterson
David Walker


Resources