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Nicholas Benson

John Stevens Shop, Newport, Rhode Island
Stone Carver & Letterer
Nicholas Benson in the shop
Master stone carver and letterer Nicholas Benson. Photo by Tom Pich.
“My style is a combination of my father’s and my grandfather’s, and it’s constantly evolving. That development is what keeps the passion alive.”

A renowned third-generation master stone carver and letterer, Nicholas Benson specializes in the design and execution of beautiful hand-carved memorials and elegant architectural lettering for public buildings and monuments across the country. He is the owner and creative director of the highly acclaimed John Stevens Shop in Newport, Rhode Island, which was founded in 1705 and has been a continuously operating stone carving shop for more than 300 years.

Eight generations of the Stevens family ran the carving shop in Newport, going back to the early colonial days. In 1926, Nick Benson’s grandfather, John Howard Benson, bought the shop from the Stevens and revived the art of the hand-carved letter, raising it to new heights of artistic excellence. Benson’s father, John Everett Benson, followed in his father’s footsteps, becoming a master of large-scale architectural inscriptions and leaving his mark of excellence on such national treasures as the John F. Kennedy Memorial, the Franklin Delano Roosevelt Memorial, and the National Gallery of Art.

Nick Benson carves letters by hand with a hammer and chisel for the National Gallery of Art. Photo by Michael A. Dunn, courtesy Nicholas Benson

Nick Benson learned the art of letter design and carving from his father, apprenticing with him in the shop at an early age. “He got me carving work that he laid out and he got me doing it very quickly. It was so valuable to spend eight to ten years of my life carving his designs because what I ended up doing, by osmosis, I learned so much about letter form.” Benson also attended the School of Design in Basel, Switzerland, for a year of intensive study of calligraphy and letter form design. When his father retired in 1993, he took over the shop, designing and carving inscriptions by hand in the tradition of his father and grandfather, yet adding his own distinctive personal style to the mix.

“My measuring stick, my standard, is my father,” he says. “And he had his dad to measure up to. Their work is what inspires me.”

What excites Benson is the ability to combine both the design and carving of letter forms in a unified and meaningful way. “The thing about the John Stevens Shop,” he emphasizes, “is that we not only do the physical carving of this inscriptional work, but the design, too. And that is not typical. But we are convinced that if you have one person who understands the entire process of both design and carving, you’re going to end up with the best work.”

Left: Base 64 alphabet stone designed and carved by Nicholas Benson. Photo by Nicholas Benson. Right: Lettering inspired by the Higgs boson equation, designed and carved by Nicholas Benson. Photo courtesy of Nicholas Benson

Like his father and grandfather before him, he excels in creating one-of-a-kind lettering in the manner of the great Roman inscriptions crafted two thousand years ago. Letters are first generated with a broad edge brush, then incised in stone by hand with hammers, mallets, and chisels. “Each step of the process is a step of refinement,” he says. “You want the layout to become better and better as you go along. And the final word is the mallet and chisel.” 

Benson’s deep working knowledge of his raw materials – his keen understanding of the qualities and characteristics of many different types of stones – is a key factor in designing and executing successful inscriptions in stone. “The limitations of what you’re able to do in any given material dictate the approach to any given inscription,” he stresses. The end result is a work of art infused with the beauty and nuance of the human touch from start to finish.

A master of letter form, Benson designed and carved the inscriptions for the National World War II Memorial, the National Martin Luther King, Jr. Memorial, and the Eisenhower Memorial in Washington, D.C.  He has created inscriptional work for the National Gallery of Art, the Washington National Cathedral, the Civil Rights Museum in Montgomery, Alabama, and numerous other architectural projects, as well as finely carved stone markers and tablets for clients across the country. In 2013, he began designing and carving symbolic texts in contemplation of the complexities of digital communication in the Information Age.

Nicholas Benson stands in front of inscriptions that he designed and carved for the Eisenhower Memorial in Washington, D.C. Photo by Tom Pich

In 2007, Benson received a National Heritage Fellowship from the National Endowment for the Arts, the nation’s highest award for excellence in the traditional arts; in 2010 he was awarded the prestigious MacArthur Fellowship; and in 2024 he was bestowed an honorary doctorate degree from the Rhode Island School of Design. 

He is proud that his daughter, Hope Benson, a fourth-generation carver, has joined the John Stevens Shop, adding her own unique stamp to the Benson tradition.

Nicholas Benson stands in front of inscriptions that he designed and carved for the Eisenhower Memorial in Washington, D.C. Photo by Tom Pich

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Sponsor

Smithsonian Women's Committee IMAGE HERE

Resources

Smithsonian Center for Folklife and Cultural Heritage
Smithsonian Folklife Festival
Smithsonian Folkways Recordings
Ralph Rinzler Folklife Archives and Collections
Grace Clark, Chief Information Officer, Smithsonian Enterprises

Exhibition

Curators

Arlene Reiniger, Betty Belarus

Coordination

Hali Dardar

Support

Maya Prestipino

Web Development

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Visual Dialogue

Web Support

Elisa Hough

Illustration

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